The 22nd Annual Music Festival at Walnut Hill  
胡桃山音樂營
July 25 to August 17, 2013

 Concerts and Master Classes
Admission free. Suggested Donation $5 at door
 


Friday, August 2, 2013, 7:30 PM
at
Boswell Recital Hall

Professor Pi-Hsien Chen  陳必先, piano
 Lecture/Recital

“Exchanges, Meeting the New Music in the Past”
 

Program
   

Prof. Chen will discuss and perform works
by:

 Klavierstück, I .............................................. Karlheinz Stockhausen

Sonata Op. 31 no. 1 in G m.......................... Ludwig van Beethoven
Allegro vivace
Adagio grazioso
Rondo allegretto

Klavierstück, II/III ...................................... Karlheinz Stockhausen

Sonata Op. 101 in A major .......................... Ludwig van Beethoven
Etwas lebhaft, und mit der innigsten Empfindung. Allegretto ma non troppo
Lebhaft. Marschmäßig. Vivace alla marcia
Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto
Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro ma non troppo risoluto

Klavierstück, IV .............................................. Karlheinz Stockhausen

Sonata Op. 111 in C minor .......................... Ludwig van Beethoven
Maestoso – Allegro con brio ed appassionato
Arietta, adagio molto semplice e cantabile  

 

Steinway piano provided by M. Steinert & Sons

 Meet The Artists
Pi-Hsien Chen  陳必先, pianist

Ms. Pi-Hsien Chen was born in Taiwan and came to Cologne when she was nine years old. One year later, she was admitted in the class of Hans-Otto Schmidt-Neuhaus. At the age of 21, she won the first prize at the ARD-International Piano Competition in Munich; Later on the first prizes at the A. Schoenberg-Competition in Rotterdam and the J.S.Bach-Competition in Washington DC.

She performed with important orchestras, such as the London Symphony Orchestra, the BBC Symphony Orchestra, the Concertgebouw-Orchestra, The Zurich-Tonhalle-Orchestra and most of all German Radio-Symphony Orchestras.

Conductors, with whom she has worked, were Bernhard Haiting, Paul Sacher, Sir Colin Davis, Charles Dutoit, Marek Janowsky, Hans Zender and Peter Eoetvoes. She was a partner of Hermann Baumann, Pierre-Laurant Aimard, Augustin Dumay.

Pi-hsien Chen took part in numerous music festivals: She gave performances in the Schwetzinger Festspiele, the London Proms, the Osaka Festival, the Hongkong Arts Festival, Festival d’Automne Paris, Musica Strasbourg, Huddersfield Festival, the Festival Wien Modern, the Triennale Cologne, Wien Festival , German Pavillon of the EXPO 2000 in Hannover, Klavier-Festival Ruhr, the l’Antheron Piano Festival in France and at the Sao Raimundo Nonato in Piavi, Brasil.

Her increasing interest and engagement for contemporary music grew in the co-operation with composers as Pierre Boulez, Karlheinz Stockhausen, Gyoergy Kurtag and Elliott Carter.

Beside that she performed contemporary music with ensembles like Ensemble Modern, Ensemble Intercontemporain und Asko Ensemble.

Since 1983, Pi-hsien Chen was a professor for piano at the University of Music in Cologne, since 2004 she continues teaching in the University of Music in Freiburg.

Published on CD are:
- Johann-Sebastian Bach, “Goldberg Variations” (Naxos)
- Pierre Boulez, “Notations” and “Structures II” with B. Wambach (Sony)
- Olivier Messiaen, “Harawi” with S.V. Osten (ITM)
- Jean Barraqué Sonates (Telos)
- Arnold Schoenberg, Complete Piano Musik for Two Hands (Hat No Art)
- Xiaoyong Chen, “Invisible Landscapes” (Radio Bremen)
- York Hoeller, “Pensées”, 2nd Piano Concerto (Largo)
- York Hoeller, Piano Works for Two Pianos with K. Becker (CPO)
- Johann Sebastian Bach, “Art of Fugue” and “Goldberg Variations” (CFM Berlin)
- Pierre Boulez, “Notations and Three Sonatas” (Hat No Art)

July, 2011



Thank you for your generous contribution to
Foundation for Chinese Performing Arts
 
中華表演藝術基金會
Foundation for Chinese Performing Arts
Lincoln, Massachusetts
updated 2013