~ Program
~
Franz Liszt
(1811-1886)
Consolations,
S.172
i.
Andante con moto
ii.
Un poco più mosso
iii.
lento placido
iv.
Quasi Adagio
v.
Andantino
vi.
Allegretto sempre cantabile
~
intermission
~
Franz Liszt
Transcendental Études, S.139
i. Preludio
ii.
Molto vivace
iii.
Paysage
iv.
Mazeppa
v.
Feux follets
vi.
Vision
vii.
Eroica
viii.
Wilde Jagd
ix.
Ricordanza
x.
Appassionata
xi.
Harmonies du soir
xii.
Chasse-neige
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Minsoo Sohn,
piano
https://minsoosohn.com/
"A genuine artist,
with a thoughtfully conceived and poetic interpretation." –
New York Times
Sohn plays with a thrilling, personal, hall-filling sound that is
also flexible, vocal,
and immediate; he was born to play the piano. One can feel
absolutely certain that Sohn is an artist, a man who will create
life in music, find listeners, and reward them. – Boston
Globe
Mr. Sohn illuminated here with a thoughtfully conceived and poetic
interpretation, enhanced by tasteful ornamentation. Mr. Sohn’s crisp
articulation rendered the fast, virtuosic numbers a delight, and he
imbued the slower sections with an appealing intimacy. – New
York Times
Sohn tosses off the fearsome technical challenges without breaking
stride while at the same time elegantly colouring each mood. –
Toronto star
These were deeply considered, tightly knit performances in which
every bar seamlessly followed another and also filled its right
place in the whole. It is virtually impossible to pick his
interpretations apart, point to details, it all seemed consequent
and inevitable…His performance stood out for its steady pace and
progression, its splendid clarity and consistency of tone, and the
elegance of the melodic lines. Playing a modern instrument in the
same way he played the Webern and the Brahms, he was able, as I
mentioned above, to do justice to modern technique and the Baroque
origins of the music. Sohn’s approach was so free from mannerisms
and so well integrated. In its rigor, elegance, and integrity,
Minsoo Sohn’s interpretation is the most satisfying I have heard in
recent years. – New York Arts
Minsoo
Sohn is a Korean American pianist known for his musical intelligence
and masterful virtuosity. Described by the New York Times as "a
genuine artist, with a thoughtful and poetic interpretation" and the
Boston Globe as "born to play the piano," Sohn continues to expand
his reputation as one of the foremost pianists of his day. Sohn has
toured extensively throughout North and South America, Europe,
Israel and Korea and has appeared in important venues and festivals.
Sohn is particularly noted for his interpretation of Bach’s Goldberg
Variations, and the New York Times praised his Honens-label
recording of the work as a "beautifully articulated, radiant
interpretation," placing it one of the top classical recordings of
2011. His recordings also received critical acclaim by New Yorker
Magazine, Plain Dealer, Gramophone, Calgary Herald and Toronto Star
among others.
In 2020, coinciding with the 250th anniversary of Beethoven’s birth,
Mr. Sohn concluded his four year immersion in the composer’s music,
which has included concert series, recordings and writings. Over the
course of his Beethoven project, Mr. Sohn performed and recorded the
composer’s thirty-two sonatas in series of recitals at Seoul Arts
Center and recording sessions at Tongyeong Concert Hall. The recital
series also included Beethoven’s monumental Diabelli Variations and
Bagatelles. The Sony Classical released the highly anticipated
nine-album set of "Complete Beethoven Piano Sonatas" in the Fall of
2020.
He held positions at Michigan State University and Korean National
University of Arts before joining his alma mater, New England
Conservatory, in Fall 2023.
He is indebted to Russell Sherman and Wha Kyung Byun for guiding him
to follow his bliss.
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