Psychopomp Ensemble
https://www.psychopompensemble.com/
In Greek mythology, a Psychopomp is a conductor of souls.
Co-founded by pianists Chi-Wei Lo and Xiaopei Xu, Psychopomp
Ensemble weaves together a diverse tapestry of traditional serious
music, third stream, jazz, pop, blues, minimalist, and contemporary,
creating an auditory experience that defies categorization.
Their arrangements—some in their psychopomp mode—blend
improvisation, re-composition, and unaltered portions into original
works, guiding both connoisseurs and newcomers through their musical
universe. The Boston Musical Intelligencer describes them as
offering "new directions in pianism” and exploring the “far reaches
of musical possibilities." They aspire not merely to stake a claim
but to reshape the landscape, push boundaries, and redefine
possibilities within the realm of two-piano as well as four-hand
repertoire.
Recently, Psychopomp Ensemble appeared on The Kamerman Piano
Series at the University of West Florida and at Puddingstone
Events in Rhode Island. Additionally, Psychopomp’s past performance
highlights include concerts presented by Chamber Music Charlestown,
UCLA, the Chinese American Museum (LA), the Atlantic Symphony
Orchestra, Scripps College, Ukraine Forward, the College Music
Society, the Foundation for Chinese Performing Arts, the Lancaster
Piano Festival, and the German Society of Pennsylvania. In 2021,
Psychopomp Ensemble participated in interdisciplinary events in Los
Angeles, which garnered coverage from more than a dozen media
outlets, including The LA Times, NBC News,
and others.
Xiaopei Xu 徐小培,
pianist
Praised by The Boston Globe as “a world-class
pianist,” Xiaopei Xu has captivated audiences worldwide with
performances described as “spellbinding and expressive”(Boston
Musical Intelligencer). She made her Boston Symphony Hall
concerto debut with Boston Pops in 2018 and has performed as a
soloist and chamber musician across North America, Europe, and Asia.
Recent highlights include appearances presented by the Atlantic
Symphony Orchestra, Harvard Musical Association, Puddingstone
Festival, Foundation for the Chinese Performing Arts, The Stecher
and Horowitz Foundation, German Society of Pennsylvania, Lancaster
International Piano Festival, Chinese American Museum(LA), Ukraine
Forward, College Music Society, among others. Her concerts have been
featured in The Boston Globe, Sing Tao Daily, Boston Musical
Intelligencer, Lancaster New Era, and in major Chinese publications
such as Shanghai Morning Post, Qilu Evening news, Music Weekly,
Yanzhao Metropolis Daily, and Shanxi Evening News.
Xu is a laureate of several international competitions, including
the New York International Piano Competition, Cooper International
Piano Competition, Tureck International Bach Competition, Richmond
Piano Competition and the Washington D.C. International Young Artist
Competition. She has been featured in prominent festivals such as
Pianofest in the Hamptons, PianoTexas, Banff Music Centre, Sarasota
Music Festival, Russia Young Artist Festival, and the Walnut Hill
Music Festival. Xu regularly gives masterclasses and lectures in
China, including in Nanjing, Beijing, Qingdao, and serves on the
piano faculty at the Lancaster Intentional Piano Festival in the US.
Beyond the concert stage, Xu integrates her passion for visual arts
into her musical projects, creating multidisciplinary collaborations
that enrich the concert experience. She has been commissioned for
installations and multimedia performances. Notable projects include
a combined art and concert presentation at the Germany Society of
Pennsylvania, and a visual installation for The Seven Deadly Sins,
an interdisciplinary concert at the New England Conservatory.
Collections of her artwork have been published by Jeune Critique,
the journal of the Clara Haskil International Piano Competition.
Xu holds a Doctor of Musical Arts degree from Boston University, a
Master of Music from Yale University, and a Bachelor of Music from
the New England Conservatory. She is the co-founder of Psychopomp
Ensemble and an Affiliated Artist at the Massachusetts Institute Of
Technology.
Chi Wei
Lo
駱奇偉,
pianist/arranger
Chi-Wei Lo is a pianist, improviser, and arranger
whose performances utilize a plethora of musical languages. As a
co-founder of the Psychopomp Ensemble, Lo has continually pushed
boundaries, blending interdisciplinary art forms with both
traditional and avant-garde musical elements to create compelling
concert experiences.
With a career spanning diverse platforms, Lo has been
presented by the Atlantic Symphony Orchestra, North American Medical
Orchestra, The Lancaster Piano Festival, College Music Society,
UCLA, Lilypad, Chamber Music Charlestown, The Harvard Musical
Association, The Chinese American Museum (LA), Foundation for
Chinese Performing Arts, Caroga Arts Collective, New Asia Chamber
Music Society, the German Society of Pennsylvania, and the
Counterpoint Ensemble (Taiwan), among many others.
Lo’s dedication to his craft is evident in his
diverse projects and achievements. In 2018, he was commissioned by
the Kaohsiung Rapid Transit Corporation (KRTC) for its 10th
anniversary, resulting in the creation of his album
Piano Improvisations and the issuance of a limited
edition metro-card in Taiwan. His solo tours, such as The Dance
of the Seven Deadly Sins, Declaration of Aesthetics, and
Twelve Over Twelve,
not only showcased his extraordinary musical prowess but also
included benefit concerts, reflecting his belief that musicians
should contribute to their communities.
In addition to his musical output, Lo is a writer,
contributing reviews and interviews to the Boston Musical
Intelligencer, where his observations and musical knowledge further
enrich the music community. He has also served as a judge for the
Lancaster International Piano Festival competition and the A. Ramón
Rivera Piano Competition.
Lo holds both a Bachelor of Music (B.M.) and a Master
of Music (M.M.) in piano performance from The Juilliard School. He
is expected to complete his Doctor of Musical Arts (D.M.A.) at the
New England Conservatory in Contemporary Musical Arts (formerly
known as Contemporary Improvisation) this year. Currently, Lo is
shaping the next generation of musicians as an Assistant Professor
in Composition at Berklee and a Theory Instructor at the New England
Conservatory.
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