Foundation for Chinese
Performing Arts
Summer FREE Concert @ NEC 2023
夏日系列音樂會
at New England Conservatory,
Boston, Massachusetts Aug
10 to 26, 2023
All concerts Admission Free, suggested donation $10 at door
Age 6 and under not admitted
CONCERT 2
Friday, August 11, 2023,
7:30 pm
at
NEC's Williams Hall
Leland
Philip Ko,
cello
Adria Ye,
piano
~Program~
FRANZ JOSEPH
HAYDN(1732-1809)
Divertimento in D major (compiled and
arranged by Gregor Piatigorsky)
Adagio (from the Baryton Trio in D major, Hob. XI: 113)
Menuet (from the Baryton Trio in D major, Hob. XI: 95)
Allegro di molto (from the Baryton Trio in D major, Hob. XI: 113) FRANK BRIDGE
(1879-1941)
Four Pieces for Cello and Piano
(compiled by Julian Lloyd Weber)
Berceuse [1901]
Serenade [1903]
Elegie [1904]
Cradle Song [1910] FRANCIS POULENC
(1899-1963) Sonata for Piano and
Cello, FP 143
[1948]
Allegro — Tempo di Marcia
Cavatine
Ballabile
Finale GABRIEL FAURE
(1845-1924) Berceuse, Op. 16 (arranged
by Leland Ko)
~Intermission~
FAZIL SAY
(1970- )
“Dört Şehir” (“Four Cities”)
Sonata for Piano and Cello, Op. 41
[2012]
Sivas
Hopa
Ankara
Bodrum
Admission Free, suggested donation $10 at door.
Age 6 and under not admitted.
中華表演藝術基金會
Foundation for Chinese Performing Arts
Lincoln, Massachusetts
photos: Chung Cheng event photos: Xiaopei Xu and Chi Wei Lo
Leland
Philip Ko,
cello
https://www.lelandko.com/ Leland
Philip Ko (b. 1998) is the kind of person who's always had an
overflow of energy. His restlessness has led him to various
callings, from calligraphy and origami to competitive tennis and
distance running, but so far he’s found that making music with and
for others – and the process that goes into that – are the things
that best keep him seated and focus his mind. Though he has chosen
to dedicate himself to classical music, he does his best to remember
and live by a former mentor’s advice that music is about life, not
the other way around.
A cellist of Chinese-Canadian descent, yet born and raised in the
Boston area, Leland has performed as a soloist and chamber musician
in venues across America’s east coast, such as Merkin Concert Hall
and Carnegie’s Weill Recital Hall in New York, and Jordan Hall and
Sanders Theatre in Boston, as well as internationally in Sweden,
Israel, and Spain, including Auditorio Manuel de Falla in Granada.
Violinist Itzhak Perlman has said of Leland that he “plays with the
beauty of sound and subtlety that we don’t often encounter in a
cellist of his age,” and that he is “a musician who willingly
considers all aspects of music.” Leland’s most recent accolades
include second prize at the inaugural 2020 Bader and Overton
Canadian Cello Competition, appearing as a finalist in the 2020
Young Concert Artists International Auditions, and first prize at
the 2021 Hudson Valley Philharmonic String Competition.
The 2022 season sees Leland making debut appearances with the
Adelphi Orchestra in New York and New Jersey, as well as with the
NEC Philharmonia under Hugh Wolff in Boston's Jordan Hall. Past
engagements over the last decade include concerto appearances with
the Boston Landmarks Orchestra, the Pro Arte Chamber Orchestra, the
Arlington Philharmonic, the Brockton Symphony Orchestra, Symphony
Pro Musica, the Boston Youth Symphony Orchestra, the Princeton
University Orchestra, and multiple appearances with the Wellesley
Symphony Orchestra, the Boston Philharmonic Youth Orchestra, and the
Farmington Valley Symphony Orchestra.
Despite growing up a part of Boston’s strong youth orchestra
culture, Leland has often sought out chamber music at various summer
festivals over the years, having attended Yellowbarn, Ravinia's
Steans Music Institute, and the Perlman Music Program’s Summer Music
School and its Chamber Music Workshop. Through these festivals,
Leland has had the chance to study with and occasionally perform
alongside artists such as Ronald Leonard, Merry Peckham, Joel
Krosnick, Donald Weilerstein, Vivian Weilerstein, Roger Tapping,
Miriam Fried, Paul Biss, Marcy Rosen, Ralph Kirshbaum, Frans
Helmerson, Gary Hoffman, and Itzhak Perlman.
Leland’s love for chamber music has also led him to be an Artist in
Residence of New York Piano Society (NYPS), as well as a frequent
performer on Swedish pianist Per Tengstrand’s concert series “Music
on Park Ave” at Scandinavia House in NYC, and former Music Director
of Opus 21, a student-run chamber music collective at Princeton.
Leland was a long-time student of Ronald Lowry and Paul Katz before
attending Princeton University, where he graduated with an A.B. in
German Literature. He went on to complete an M.M. at The Juilliard
School under the teaching of Minhye Clara Kim, Timothy Eddy, and
Natasha Brofsky, and begins as an Artist Diploma candidate at the
New England Conservatory in the Fall of 2022 with Laurence Lesser.
Since the end of 2020, Leland plays on the ex-Peled, ex-Greenhouse
Thomas Dodd from 1790.
Adria Ye,
piano
Chinese-American
pianist Adria Ye has been driven from a young age by a hopeless
fascination with music, old and new. Described by David Finckel as
having a “naturally beautiful sound and lyric instinct,” she has
performed as soloist and chamber musician across Europe, China, and
the United States. She has been featured in radio broadcasts of
“Performance Today” with Fred Child, and National Public Radio’s
“From the Top” with Christopher O’Riley. Most recently, she was the
winner of the 2022 Music Academy of the West Solo Piano Competition.
Growing up with the sound of her brother practicing the piano, Adria
began her own studies at age four and soon discovered an innate love
for music and the keyboard. At age eleven, she moved across the
country from her home in Portland, Oregon to study at The Juilliard
School’s Pre-College Division in New York City. Outside of her solo
repertoire, Adria is an avid chamber musician with a wide-ranging
repertoire, and spent three years in Wu Han and David Finckel’s
intensive chamber music studio at the Aspen Music Festival and
School.
Adria has in recent years embarked on various adventurous projects
with fellow pianist Huan Li, including performances of Messiaen’s
Visions de l’Amen and George Crumb’s Makrokosmos III: Music for a
Summer Evening with percussionists Jonathan Haas and Alana Wiesing,
as well as Steve Reich’s Six Pianos, with pianists Umi Garrett,
Tengku Irfan, Theo Rockas, and Derek Wang. Adria has also performed
Thomas Adès’s Catch with AXIOM and Jeffrey Milarsky, and premiered
Jack Frerer’s Last In, First Out with clarinetist Ning Zhang and
violinist KJ McDonald.
Adria earned her Bachelor and Master of Music degrees at Juilliard
with Yoheved Kaplinsky and Julian Martin, and currently studies with
Wha-Kyung Byun at New England Conservatory.
Thank you for your
generous contribution to
Foundation for Chinese Performing Arts
中華表演藝術基金會
Foundation for Chinese Performing Arts
Lincoln, Massachusetts