Foundation for Chinese Performing Arts
Annual Summer Concert Series
at New England Conservatory,Boston,Massachusetts

 August 7 – 24,2019

All conecrts Admission Free,suggested donation $10 at door.
Age 6 and under not admitted.

Concert 5
Sunday August 11, 2019, 7:30 pm
at NEC's Brown Hall

Hung-Kuan Chen 陳宏寬, pianist

~ Program ~

Ludwig van Beethoven
Piano Sonata No. 27 in E minor, Op. 90
Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Nicht zu geschwind und sehr singbar vorgetragen

Ludwig van Beethoven
Piano Sonata No. 28 in A major, Op. 101
Allegretto, ma non troppo
Vivace alla marcia
Adagio, ma non troppo, con affetto

~ Intermission ~

Frédéric Chopin
Piano Sonata No. 2 in B-flat minor, Op. 35
Grave – Doppio movimento
Marche funèbre: Lento
Finale: Presto

Sergei Rachmaninoff
Piano Sonata No. 2 in B-flat minor, Op. 36
Allegro agitato
Non allegro—Lento
Allegro molto

 ~Encore ~

Ludwig van Beethoven
Sonata No. 13 in E-flat Major
"Quasi una fantasia", Op. 27, No. 1
IV Allegro vivace



Admission Free,suggested donation $10 at door.
Age 6 and under not admitted.

Foundation for Chinese Performing Arts


Hung-Kuan Chen 陳宏寬, pianist

Pianist Hung-Kuan Chen’s career - as well as his life -- has been a vivid example of the concept of yin-and-yang. In that Chinese philosophy, apparent opposites are actually complementary: each fulfills a need in the other; one cannot exist without the other. Mr. Chen embodies a synthesis of seeming opposites that coalesce into a unique artistic personality.

Hung-Kuan Chen was born in Taipei and raised in Germany. He established a strong connection to Germanic Classicism in his early studies which he integrated with the sensibility of organic Chinese philosophy. “I’m Chinese by birth,” he says, “but I’m actually more European. I’ve read and studied a tremendous amount of the great literature and language of Germany.”

Mr. Chen has performed in many of the world’s foremost concert venues, including Carnegie Hall in New York, the Kennedy Center in Washington, D.C., Davies Symphony Hall in San Francisco, the Tonhalle in Zürich, the Herkulesaal in Munich, the Sala Verdi in Milan, Suntory Hall in Tokyo, National Concert Hall in Taipei, Shanghai Concert Hall and the Forbidden City Concert Hall in Beijing. He was the first to perform the Rachmaninoff Third and Beethoven Fourth Piano Concertos in Taipei, and gave the Shanghai premiere of the Bartók Second Piano Concerto. His plans for the 2015-2016 season include solo and orchestral performances in China and Switzerland, in Boston, and at Aspen and Yale. He is also preparing new recordings to be made in Switzerland in 2016.

One of the most honored pianists of his generation, Mr. Chen won top prizes in the Arthur Rubinstein, Busoni, and Geza Anda International Piano Competitions, and in the Young Concert Artists International Piano Auditions. He also won prizes in the Queen Elisabeth, Montreal International Musical and Van Cliburn International Piano Competitions, as well as an Avery Fisher Career Grant.
Hung-Kuan Chen has enjoyed fruitful artistic collaborations with, among others, Christoph Eschenbach, Hans Graf, George Cleve, Joseph Silverstein, David Shifrin, Roman Totenberg, ChoLiang Lin, the Shanghai Quartet, Sui Lan and Andrew Parrott. His most meaningful artistic partnership is with his wife, Tema Blackstone, with whom he frequently performs as a piano duo.

Hundreds of students worldwide have benefited from Hung-Kan Chen’s knowledge and love of music. “Teaching and performing complement each other,” he declares. “Teaching is sharing, and by sharing, our search continues in a more objective way. When I share, I become the beneficiary of the results of the investigation and the continued questioning. This benefits my playing, as I’m often coming up with new ideas and insights.”

Mr. Chen is currently on the faculty of The Juilliard School and is a visiting professor at Yale, and is also on the faculty for Artemisia Akademie at Yale. He previously served as Chair of the piano department of Shanghai Conservatory, and was on the faculty of New England Conservatory. He has adjudicated prominent international piano competitions such as the Van Cliburn, Busoni, Shanghai, and Honens. His 2015 summer teaching engagements included the Chinese Foundation for the Arts, Piano Summer Institute in New Paltz, International Music Akademie in Lichtenstein and Aspen Music Festival. Among notable pianists he has taught or coached are Yuja Wang, Sean Chen and Niu Niu.

In 1992, Hung-Kuan Chen suffered a hand injury which caused neurological damage and eventually resulted in focal dystonia. Through meditation and his own unique research, he was able to heal and return to his life as a concert artist. His first post-accident solo recital in 1998 received rave reviews and he was described as a transformed artist. Mr. Chen addresses his extraordinary journey in these terms: “What gave me the drive and courage to find a cure? On one side was the curiosity about the human body, awareness and consciousness; and on the other, my desire to continue my art. This was the biggest learning curve I had ever encountered. It meant having to detach from ego and ambition. It taught me to embrace all that comes to me and be extremely grateful…to notice the tiny things - those details which create a full life and are often missed by most people. To be ‘in the moment’ sounds clichéd but is not. And as part of the search for meaning, the joy of being able to play again - that was a true miracle.”

A many-faceted individual, Hung-Kuan has painted and drawn, danced, and played several other instruments. He is a serious chef, bakes his own bread and home brews beer. He is an artisan of home improvement, a skilled woodworker and an electronics whiz. He is a meticulous piano tuner, a knowledgeable jazz enthusiast, and an avid hiker. He brings the same level of curiosity and dedication to both spiritual and worldly pursuits.


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Foundation for Chinese Performing Arts

Foundation for Chinese Performing Arts