Program All-Beethoven Ludwig van Beethoven Quartet in E-Flat Major, Op. 127
*****
Ludwig van Beethoven Quartet in F Major, Op. 59, No. 1
Robin Scott, Violin
Janet Ying, Violin
Phillip Ying, Viola
David Ying, Cello
“The
Ying Quartet performed with technical mastery, musical insight,
vivid imagination, and tireless enthusiasm.” — Joe Sekon,
Peninsula Reviews
Janet Ying
Violin
Phillip Ying
Viola
Robin Scott
Violin
David Ying
Cello
The Ying Quartet occupies
a position of unique prominence in the classical music world, combining
brilliantly communicative performances with a fearlessly imaginative
view of chamber music in today’s world. Now in its second decade,
the Quartet has established itself as an ensemble of the highest musical
qualifications. Their performances regularly take place in many of
the world’s most important concert halls, from Carnegie Hall to the
Sydney Opera House; at the same time, the Quartet’s belief that concert
music can also be a meaningful part of everyday life has also drawn
the foursome to perform in settings as diverse as the workplace, schools,
juvenile prisons, and the White House. In fact, the Ying Quartet’s
constant quest to explore the creative possibilities of the string
quartet has led it to an unusually diverse array of musical projects
and interests.
The Ying’s ongoing LifeMusic commissioning project, created in response
to their commitment to expanding the rich string quartet repertoire,
has already achieved an impressive history. Supported by the Institute
for American Music, the Yings commission both established and emerging
composers to create music that reflects contemporary American life.
Their most recent recording of commissions, titled “The United States,”
features works by Ned Rorem, Jennifer Higdon, Chen Yi, and Augusta
Read Thomas. Other recent works include Lowell Liebermann’s String
Quartet No. 3, To the Victims of War”; Sebastian Currier’s Next Atlantis;
Richard Danielpour’s Quartet No. 6, Addio; and John Novacek’s Three
Rags for String Quartet. The 2011-12 season featured Billy Childs’
Awakening,” 2012-13 brought the debut of Kenji Bunch’s Quartet No.
2, “Concussion Theory,” and 2013-14 premiered a work by the celebrated
Lera Auerbach.
In addition to appearing in conventional concert situations, the Ying
Quartet is also known for its wide-ranging and unusual performance
projects. For several years the Quartet presented a series called
“No Boundaries” at Symphony Space in New York City that sought to
re-imagine the concert experience. Collaborations with actors, dancers,
electronics, a host of non-classical musicians, a magician and even
a Chinese noodle chef gave new and thoughtful context to a wide variety
of both traditional and contemporary string quartet music. They have
also worked with composer Tod Machover and the MIT Media lab in the
use of Hyperscore, an innovative musical composition software. Other
musical partners range from pianists Menahem Pressler and Gilbert
Kalish and cellist Paul Katz to the jazz pianist Billy Childs and
his Sextet and the Turtle Island Quartet.
The Ying Quartet’s recordings reflect many of the group’s wide-ranging
musical interests and have generated consistent, enthusiastic acclaim.
The group’s most recent CD, “American Anthem” (Sono Luminus), heralding
the music of Randall Thompson, Samuel Barber, and Howard Hanson, was
released in 2013 to rave reviews; their 2007 Telarc release of the
three Tchaikovsky Quartets and the Souvenir de Florence (with James
Dunham and Paul Katz) was nominated for a Grammy Award in the Best
Chamber Music Performance category. In addition, their much-heralded
collaboration with the Turtle Island Quartet, “Four + 4,” explored
the common ground between the classic string quartet tradition and
jazz and other American vernacular styles, and won a Grammy Award
in 2005. “Dim Sum” (Telarc), released in 2008, features music by Chinese-American
composers that merges the Western string quartet with the aural world
of traditional Chinese music. Released by Quartz, “The Ying Quartet
play LifeMusic” was named Editor’s Choice by Gramophone magazine.
In 2010 the Quartet signed a multi-year recording deal with a revival
of the Dorian label; the first of the recordings, focusing on the
compositions of Anton Arensky, was released in the fall of 2011.
The Ying Quartet first came to professional prominence in the early
1990s during their years as resident quartet of Jesup, Iowa, a farm
town of 2000 people. Playing before audiences of six to six hundred
in homes, schools, churches, and banks, the Quartet had its first
opportunities to enable music and creative endeavor to become an integral
part of community life. The Quartet considers its time in Jesup the
foundation of its present musical life and goals. The residency, supported
by a grant from the National Endowment for the Arts, was widely chronicled
in the national media. Toward the end of the residency, the Quartet
and several of the townspeople were invited to Capitol Hill to testify
before Congress on behalf of the NEA.
During the summers, the Ying Quartet’s activity is primarily centered
at music festivals. They are the ensemble-in-residence at the Bowdoin
International Music Festival; other festival appearances have been
at Tanglewood, Ravinia, Caramoor, San Miguel de Allende, Kneisel Hall,
Norfolk, Skaneateles, Amelia Island, and Interlochen.
As quartet-in-residence at the prestigious Eastman School of Music
in Rochester, NY, the Ying Quartet teaches in the string department
and leads a rigorous, sequentially designed chamber music program.
One cornerstone of chamber music activity at Eastman is the noted
“Music for All” program, in which all students have the opportunity
to perform in community settings beyond the concert hall. From 2001-2008,
the members of the Ying Quartet were the Blodgett Artists-in-Residence
at Harvard University.
(2015)
Violin - Robin Scott
At home as a soloist, chamber musician, and concertmaster, violinist
Robin Scott enjoys a broad musical career. He has competed internationally,
winning 1st prizes in the California International Young Artists Competition
and the WAMSO Young Artist Competition, and 2nd Prizes in the Yehudi
Menuhin International Violin Competition, the Irving M Klein International
String Competition, and the Stulberg International String Competition.
He has soloed with the Minnesota Orchestra, the St. Paul Chamber Orchestra,
Indianapolis Symphony Orchestra, the Orchestre National de Lille (France),
the Fort Wayne Philharmonic, the Montgomery Symphony Orchestra and
many others. He has given numerous recitals and performances throughout
the United States and abroad, in such venues as Weill Hall and the
Schubert Club in St. Paul.
As a chamber musician, he has performed at the Kennedy Center, the
Library of Congress, the Smithsonian Institution, Jordan Hall, the
Isabella Stewart Gardener Museum, the Perelman Theatre at the Kimmel
Center, Weill Hall, the Morgan Library, and Town Hall in New York
City. He has attended or appeared at various festivals, including
Marlboro Music, Ravinia’s Steans Institute for Young Artists, the
Yellow Barn Festival, the Kneisel Hall Festival, the Saratoga Chamber
Music Festival, the Chesapeake Chamber Music Festival, MusicIC in
Iowa City, and others. He has participated in various tours under
the auspices of Marlboro and Ravinia.
Scott serves as concertmaster of the New York Classical Players. He
has played with the St. Paul Chamber Orchestra as guest principal
2nd violin, and with the Fort Wayne Philharmonic as guest concertmaster.
From 2011-2013 he was concertmaster of and Artist in Residence with
the Montgomery Symphony Orchestra.
Scott was recently a student of Donald Weilerstein and Kim Kashkashian
at the New England Conservatory in Boston. He received his Bachelor's
Degree with Miriam Fried at NEC, where he was the recipient of the
Presidential Award. In 2006, he completed an Artist Diploma at Indiana
University, also under the tutelage of Miriam Fried. Previously he
was a student of Mimi Zweig at IU's preparatory program.
Violin
- Janet Ying
Janet
Ying is a founding member of the Ying Quartet, whose fascinating career
path began in 1992 in Jesup, a small town in northeast Iowa. Among
the first groups to be awarded a National Endowment for the Arts grant
to live and perform in a rural area, Ms. Ying explored connections
between concert music and everyday life, performing throughout the
community in places like schools, workplaces, social clubs, churches
and banks. In the process of doing so, she forged a vision for making
music an integral part of community. At the same time, Ms. Ying was
recognized for musical excellence with the Naumburg Chamber Music
Award in 1993, and since then has performed extensively across the
United States and abroad. Since the Jesup residency, she has continued
her quest for creative music-making, creating a series called "No
Boundaries" at Symphony Space in New York, combining string quartet
music with poetry, dance, popular music, magic, and even a Chinese
noodle-making demonstration, as well as collaborating with diverse
musicians such as Menahem Pressler, Jon Manasse, jazz pianist Billy
Childs, the Turtle Island Quartet, Mike Seeger, and Matt Flinner.
Along with the Quartet, she actively commissions new works in an ongoing
project called LifeMusic, asking American composers to communicate
an aspect of contemporary American life, and has premiered intriguing
works from Kevin Puts, Chen Yi, Sebastian Currier, Michael Torke,
Bernard Rands, Paul Moravec, Paquito D’Rivera, and Augusta Read Thomas,
among others. Ms. Ying can be heard on these recordings: Three Tchaikovsky
Quartets and the Souvenir de Florence, its series of three LifeMusic
albums featuring American commissions, 4 + Four, a Grammy award winning
collaboration with the Turtle Island String Quartet, and Dim Sum,
a collection of shorter works melding Eastern and Western sounds.
Principal violin studies have been with Yuko Nasu, Sonja Foster, Almita
and Roland Vamos, Donald Weilerstein, and William Preucil. Currently,
Ms. Ying is an Associate Professor of Chamber Music at the Eastman
School of Music, and in addition pursues taiji, Crossfit and an interest
in gastronomy.
Viola - Phillip Ying
Phillip
Ying, as violist of the Ying Quartet, has performed across the United
States, Europe and Asia. He is a recipient of the Naumburg Award for
Chamber Music, has won a Grammy for a collaborative recording with
the Turtle Island String Quartet, and has been nominated three additional
times, most recently for a collaborative album with pianist, Billy
Childs. He maintains a vital interest in new music with recent and
planned premieres of works by Chen Yi, Augusta Read Thomas, Kevin
Puts, Ned Rorem, Jennifer Higdon, Sebastian Currier, Paquito D’Rivera,
Lowell Liebermann, Paul Moravec, and Kenji Bunch and is currently
engaged in a multi-year commissioning project with the Institute for
American Music. Mr. Ying also pursues creative projects across musical
styles with other artists such as Garth Fagan and Tod Machover. During
the summers, he has performed at the Colorado College, Bowdoin, Aspen,
Marlboro, Tanglewood, Caramoor, Norfolk, Music in the Vineyards and
Skaneateles Music Festivals. He has recorded on the Sono Luminus,
Telarc, Albany, Elektra, and EMI labels. Mr. Ying is an Associate
Professor Chamber Music and Viola at the Eastman School of Music in
Rochester, NY. From 2001-‐2008, he was named with the Ying Quartet
Blodgett Ensemble in Residence at Harvard University. Additionally,
he served a six year term as President of Chamber Music America, a
national service organization for chamber music ensembles, presenters
and artist managers, and has been published by Chamber Music magazine.
He is a frequent speaker, panelist, and outside evaluator on subjects
such as arts-in-education, advocacy through performance, and chamber
music residencies. Mr. Ying received his education at Harvard University,
the New England Conservatory, and the Eastman School of Music, and
has studied principally with Martha Katz, Walter Trampler, and Roland
Vamos.
Cello - David Ying
Cellist
David Ying is well known to concert audiences as the cellist of the
Grammy Award winning Ying Quartet. With the Quartet he has performed
worldwide in celebrated music venues from Carnegie Hall to the Sydney
Opera House. The quartet is also known for its enterprising view of
concert performance, which has led to visits to the White House as
well as correctional facilities, and to business schools as well as
hospitals. In its collaborations, the quartet has performed with chamber
music greats Menachem Pressler, Gilbert Kalish, and Paul Katz, as
well as explored new musical territory with folk musician Mike Seeger,
the Turtle Island Quartet, and even actors, dancers, chefs and magicians.
With the Quartet, David has created a wide range of recordings that
have received consistent acclaim, as well as a Grammy Award and four
Grammy nominations. Their recorded work ranges from traditional-‐
Tchaikovsky’s three string quartets and his Souvenir de Florence-‐
to contemporary-‐ three albums of their LifeMusic commissions. It
also includes unique collaborations with the Turtle Island Quartet,
pianist Billy Childs, and Phish frontman Trey Anastasio. In October
2011, the quartet released the two string quartets and piano quintet
of Anton Arensky (Sono Luminus). David first pursued chamber music
avidly as a teenaged student at the Eastman School of Music with his
piano trio, which was awarded first prize at the Coleman Chamber Music
Competition. Later he would also win the Naumburg Chamber Music Award,
this time with the Ying Quartet. David is also highly regarded as
an individual artist, having been awarded prizes in the Naumburg Cello
Competition and in the Washington International Competition. As a
solo cellist, he often performs with his wife, pianist Elinor Freer.
Together they are also artistic directors of the Skaneateles Festival.
Their imaginative view of music has helped to earn the festival a
devoted following and national recognition, including a special ASCAP
award for adventurous programming. A graduate of both the Eastman
School of Music and the Juilliard School, David owes a debt of gratitude
to his many fine teachers, who include Leonard Rose, Channing Robbins,
Paul Katz, Steven Doane, Robert Sylvester, and Nell Novak. David presently
serves on the cello and chamber music faculty at the Eastman School
of Music in Rochester NY, where he and Elinor reside with their two
children.
2013.03.09
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