Saturday, April 9, 2011, 8 pm at Jordan
Hall
Presenting
Give the Gift of Music
|
|
Program |
Wolfgang Amadeus Mozart Sonata in C Major, K. 330
Allegro moderato
Andante cantabile
Allegretto
|
Ludwig van Beethoven Sonata No. 17
in D Minor, Op. 31, No. 2 "Tempest"
Largo-Allegro
Adagio
Allegretto
|
Intermission |
Modest Mussorgsky Pictures at an Exhibition
Promenade
Gnomus
Promenade
Il vecchio castello
Promenade
Tuileries (Dispute d’enfants après jeux)
Bydlo
Promenade
Ballet des poussins dans leurs coques
Deux juifs, l’un riche et l’autre pauvre
Promenade
Limoges. Le marché
Catacombae. Sepulchrum romanum
Cum mortuis in lingua mortua
La cabane cur des pattes de poule
Le grande porte de Kiev
|
|
聲音所表達的激越靈動形象 伸行演奏會聽後感
惠風 2011-4-12
從伸行(22歲)所選的作品:莫扎特(27)的【巴黎奏鳴曲K330】 ,
貝多芬(32)的【風暴奏鳴曲】與慕莎斯基(35)的【展畫組曲】 , 或許可以猜測 ,
天生失明的伸行“心裡的眼睛”所看的“樂中的圖畫” 。作曲家跟他年齡相近 , 青年人內心的失落與憂患感覺 , 通過音樂表達 ,
深深感動了滿堂聽眾 。
一代才人貝多芬的【風暴奏鳴曲】作於他耳朵失聰的最初期 。伸行本人必有更深切體會與同情 。
【展畫組曲】悼念亡友 , 更加是今天日本“集體悲懷”的風情畫 。
這兩個曲目所描繪的 , 風雨飄搖、心潮洶湧、生死憂患中寬廣的畫面 , 是這個音樂會的主旋律 。
通過伸行明朗澄澈的演繹 , 我們竟或能窺見伸行所“看見”的形象 。如何從災難的憂思超越到忍受(或接受?)災難的平靜 ,
是不是伸行心境的一部份?我們不得而知 。
【展畫組曲】樂章標題所提示的複雜畫面 , 容易讓我們想像作曲家慕莎斯基不止在【畫展】中悼念剛去世的朋友(畫家 )
Viktor Hartmann , 或許更預期了作曲家自己(在七年後)的永久歸宿 , 不久也離開了這個生死繁華對照的花花世界
。Hartmann 有一張畫存世 , 題為 Le grande porte de Kiev
。是他所設想的東歐(回教圓尖頂型)建築圖案 。(紀念)門一邊形狀如婦女花帽而另一邊如斯拉夫軍人頭盔
。激烈的對照是【展畫組曲】最後一章的標題 , 是不是代表作曲家與畫家對人生的總結?是個有趣問題 。
我的感覺是 , 伸行在為這次海嘯地震中死亡的同胞們 , 獻上沉痛而又莊嚴的哀思 。複雜感情的形象化 ,
令聽者似有【禪】的領悟經驗 。
三次encore中 , 他演奏了兩首自己的作品 , 如詩如畫的音樂小品 ,
讓我們在一瞬間窺見這個失明人心中的複雜而又明亮的圖畫 。是一次絕對難得的音樂晚會 。 |
|
NOBUYUKI TSUJII
NANCY LEE AND PERRY R. BASS GOLD MEDALIST AND
WINNER OF THE BEVERLEY TAYLOR SMITH AWARD
FOR THE BEST PERFORMANCE
OF A NEW WORK
THIRTEENTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
When Gold Medalist Nobuyuki Tsujii (pronounced No-boo-you-key Soo-gee)
rose from the piano having completed his final performance at the
Thirteenth Van Cliburn International Piano Competition, audience members
leapt to their feet, and jurors were moved to tears by his passionate
interpretation of Chopin’s Piano Concerto No. 1 in E Minor, Op. 11.
The extraordinary and poignant performance by the young pianist from
Japan and resulting audience fervor has taken on a momentum that Time
Magazine coined "Nobu Fever."
Mr. Tsujii is in high demand by presenters and orchestras worldwide
and has catapulted to rock star status in Japan. In the 2009-2010
season alone, he performed over 50 engagements throughout Asia, in
addition to appearances at the Kennedy Center for the Performing Arts
in Washington, D.C., Aspen Music Festival and Academy in Colorado,
Klavier-Festival Ruhr in Germany, and in recitals across the United
States.
In the summer of 2010, Mr. Tsujii made an acclaimed debut at the Ravinia
Festival, which the Chicago Tribune praised for "fearless technical
assurance, accuracy and musicality…the rounded tone, suppleness of
line and lyrical grace he brought." He followed this with an appearance
at a gala event featuring all three medalists of the Thirteenth Van
Cliburn International Piano Competition in concert with the National
Orchestra of the Dominican Republic in Santo Domingo and a residency
at the Tuscan Sun Festival in Cortona, Italy.
Highlights of Mr. Tsujii’s 2010-2011 season include appearances at
the Mondavi Center and UCLA Performing Arts Center with the Takács
Quartet and a tour of Japan with the BBC Philharmonic under the baton
of Vladimir Spivakov. He will perform solo recitals in all regions
of the United States during October and March, as well as in concert
with the Edmonton, Hudson Valley, and Corpus Christi Symphony Orchestras.
A European tour in the winter will take him to Belgrade, Berlin, Basel,
Manchester, and Moscow.
In addition to his gold medal, Mr. Tsujii won the Beverley Taylor
Smith Award for the Best Performance of a New Work for his interpretation
of John Musto’s Improvisation & Fugue, which he performs again as
part of the Cliburn at the Modern series in Fort Worth in October
2010. His ability to learn and perform challenging scores was referenced
by Scott Cantrell in his review for The Dallas Morning News: "It's
almost beyond imagining that he has learned scores as formidable as
Rachmaninoff’s Second Piano Concerto and Beethoven's Hammerklavier
Sonata by ear…Through all three rounds, he played with unfailing assurance,
and his unforced, utterly natural Chopin E-Minor Piano Concerto was
an oasis of loveliness."
A documentary on his extraordinary achievement as the first-ever Gold
Medalist from Japan in the Van Cliburn International Piano Competition
was broadcast on NHK television throughout Japan. Peter Rosen’s documentary
of the Thirteenth Van Cliburn International Piano Competition, A Surprise
in Texas, features Mr. Tsujii prominently and was released to critical
acclaim. The success of his debut recording, debut, on the Avex label
led to a second recording of Rachmaninoff’s Piano Concerto No. 2 with
Deutsches Symphonie Orchester Berlin. A third all-Chopin recording
is soon to be released. The live recording of his appearance at the
Cliburn Competition was released by harmonia mundi and named "Critic’s
Choice" by Japan’s foremost recording magazine Record Geijutsu. His
complete competition performances are available at
Cliburn.tv.
Blind since birth, Nobuyuki, who is referred to as "Nobu," believes
that "there are no barriers in the field of music." His philosophy
was first affirmed at the age of 7 when he was named first-prize winner
at the All Japan Blind Students Music Competition. At the age of 12,
he made noted recital debuts at Tokyo’s Suntory Hall and Carnegie
Hall’s Weill Recital Hall. Since then, he has appeared throughout
the United States, Europe, Asia, and the Middle East and played with
most of Japan’s leading orchestras, as well as the Orchestre des Concerts
Lamoureux, Slovak Philharmonic Orchestra, the Mississippi Symphony
Orchestra, and the Santa Fe Symphony Orchestra & Chorus. In 2005,
at the age of 16, he was presented the Critic’s Award at the Fifteenth
International Frédéric Chopin Piano Competition in Poland.
Nobuyuki Tsujii is currently a participant in the performer’s program
at Ueno Gakuen University and has studied with Masahiro Kawakami,
Yukio Yokoyama, and Kyoko Tabe.
Mr. Tsujii enjoys swimming, skiing, hiking, and communing with nature.
When he met with 275 piano students in the Dallas-Fort Worth area
following the competition, he advised them to "Please practice your
best, but also please remember that you have to take the time to experience
life to give your music meaning. I do things like mountain climbing,
swimming, skiing, walking by the river. Whatever you like to do, this
will help you enjoy your music more."
For additional information:
details
PRESS QUOTES
NOBUYUKI TSUJII, GOLD MEDALIST
2009 NANCY LEE AND PERRY R. BASS GOLD MEDALIST
"Nobu" Fever: Japan Falls for a Blind Piano Prodigy
"Classical music
critic Yukiko Hagiya calls his sound ‘pure and crystal-clear.’ Michel
Beroff, one of the jurors for the Cliburn Competition told the monthly
piano magazine Chopin, ‘The special thing about his performance is
his sound. It has depth, color and contrast, the genuine music.’ "
- Yuki Oda - Tokyo, Time Magazine
Kennedy Center Debut, May 2010
"In a challenging
but narrow program of Chopin, Schumann, Liszt and Mussorgsky, Tsujii
displayed a control of the keyboard that would be impressive from
any pianist; that he did so entirely by muscle memory boggles the
mind. Tsujii was virtually note-perfect all afternoon; his finger
independence in Mussorgsky's "Ballet of Chicks in Their Shells" and
"Limoges" was extraordinary, and his firm control of great washes
of keyboard sound in Liszt's "Un Sospiro" was impressive."
- Robert Battey, The Washington Post
13th Van Cliburn International Piano Competition
"It's almost
beyond imagining that he has learned scores as formidable as Rachmaninoff’s
Second Piano Concerto and Beethoven's Hammerklavier Sonata by ear…Through
all three rounds, he played with unfailing assurance, and his unforced,
utterly natural Chopin E-minor Piano Concerto was an oasis of loveliness…He
brought delicate expressivity to Debussy's first book of Images and
admirable proportion to the first movement of Beethoven's Appassionata,
and he managed to make Liszt's La Campanella fun but not vulgar."
- Scott Cantrell, The Dallas Morning News
13th Van Cliburn International Piano Competition
"Tsujii kept the audience spellbound from start to completion.
He received an instantaneous and sustained ovation, a tribute to his
character and also to musicianship that is unpretentious and edifying."
- Chris Shull,
Fort Worth Star-Telegram
Chopin Piano Concerto No. 1 in E Minor
"No vidente de
nacimiento, Nobuyuki ofreció una interpretación cargada de lirismo
e ímpetu, que le merecieron las más grandes ovaciones de pie."
"Blind since
birth, Nobuyuki offered an interpretation charged with lyricism and
energy that earned him a grand standing ovation."
- Hoy, Santo Domingo
Chopin Nocturne in D-flat Major, op. 27 - Ravinia
Festival
"I admired the
rounded tone, suppleness of line and lyrical grace he brought to Chopin's
D-flat Major Nocturne (opus 27)."
- John von Rhein, Chicago Tribune
Liszt "Un sospiro" from Trois etudes de concert, S. 144 -
Ravinia Festival
"Liszt's Un sospiro
("A Sigh") and Rigoletto Concert Paraphrase roared and sang in the
grand Romantic manner. The nonchalance with which Tsujii negotiated
the etude's fiendish hand-crossings took your breath away, as did
the ardent sweep he brought to the opera transcription."
- John von Rhein, Chicago Tribune
Mussorgsky Pictures at an Exhibition - Ravinia Festival
"Tsujii ended
with that knuckle-busting gift to all virtuoso pianists, Mussorgsky's
Pictures at an Exhibition, which just so happens to be Ravinia's "One
Score, One Chicago" selection for this year. This grand tour of the
Victor Hartman portrait gallery enlisted every weapon in his considerable
arsenal. And much of his playing was as good as it was amazing – his
light-fingered depiction of children at play in the Tuileries gardens,
the menacing, sonorous sweep of ‘Baba-Yaga.’"
- John von Rhein, Chicago Tribune
Recital - Bass Performance Hall
"Tsujii’s magnanimous
spirit was felt throughout his recital."
- Chris Shull, Fort Worth Star-Telegram
|
|
|
音樂會門票分為$50 (貴賓保留區、可預先指定座位)及$30(不對號自由入座)兩種 , 學生票$15 (不對號自由座區) 。六歲以下兒童請勿入場 。購票:喬登廳票房: 617-585-1260, 波士頓書局(前世界書局): 617-451-1309, 葉秀聰鋼琴學校: 617-542-9129
。網站購票: http://www.ChinesePerformingArts.net
無手續費 。
$50: VIP
Reserved Seats
$30: open seating at non-VIP section
$15: student open seating at non-VIP section
Children under 6 not admitted.
提供100張免費學生票 (14歲以上 , 每人一張) 請上
贈票網頁 索票
。
100 free
student tickets available at
www.ChinesePerformingArts.net
only (1 per request for age 14 and up)
查詢: 中華表演藝術基金會會長譚嘉陵, 電話: 781-259-8195, 傳真: 781-259-9147,
Email: Foundation@ChinesePerformingArts.net
|
|