SUMMER MUSIC FESTIVALS
Since July 1990, the Foundation has organized a very successful summer music
festival at the Walnut Hill School in Natick, Massachusetts. Each year,
about 30 talented young musicians, chosen through their auditions, come from
Taiwan, Hong Kong, Korea, Thailand, and the United States to participate in
an intensive musical training program with world-class masters on a
one-on-one basis. The instructors of the festival include world renowned
musicians: T. Krafchenko, Russell Sherman, Edwin Barker, (late) Luise
Vosgerchian, Doriot Dwyer, Laurence Lesser, Masuko Ushioda, Yin Cheng-Zong,
Lynn Chang, Anthony di Bonaventura, Wha Kyung Byun, David Deveau, Marylou
Speaker Churchill, Mark Churchill, Hung-Kuan Chen, Pi-Hsien Chen ,Sylvia
Chambless, Nai-Yuan Hu, Bion Tsang, Meng-Chieh Liu, Jean DeMart, Steven
Finley, Samuel Headrick, Yong Yang,, Ilya Itin, Thomas Hill, Ree-Ven Wang,
Shih-Huei Chen, Sue-Ellen Tcherepnin, Carol Ou, Neil De Land, Patty Thom,
Michael Bonner, Gillian Rogell, Tracy McGinnis, Pascale Delache-Feldman, and
many other outstanding artists. Along with private lessons, chamber
ensembles, master classes and music theory, the students were taken to
Tanglewood Music Center, concerts, musical performances, museums, piano
factory, and many historical sites in the greater Boston area. The same
program will be offered again from August 2-24, 2007 for the 16th year.
Pianist Lang Lang郎朗 and many other young talents were students of this
program.
Each year, the faculty members and the students of the music festival
perform at least twelve concerts/master classes/lectures. The Longwood
Symphony Summer Orchestra participated for the past 11 years to perform on
campus and at the Boston Esplanade Hatch Memorial Shell by the Charles
River. The Boston City official head count of the 2006 concert was 6,000.
The festival concert series are of top quality and captured media
attentions. Mr. Richard Buell of The Boston Globe wrote after Professor Pi-Hsien
Chen’s recital of Bach’s “Art of Fugue” in 1997 : “Even now, any public
performance of Bach’s ‘Art of Fugue’ has a way of taking on the character of
a rite, a ceremony, a privileged visit to the great good place....” |