The Ju Tzong-Ching Percussion Group
Wednesday, August 4, 2004, 8 PM
Sanders Theatre Harvard University
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Tickets:
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$25 (orchestra and mezzanine), $20 (balcony), Open seating
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Foundation for Chinese Performing Arts
3 Partridge Lane, Lincoln, MA 01773
Tel: 781-259-8195, Fax: 781-259-9147
Email: Foundation@ChinesePerformingArts.net
Website: www.ChinesePerformingArts.net
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Program (subject to change):
Chung-Yin Chang Exact & Splendid Beat
Chien-Hui Hung Moving Moonlight
Gong-Drum Music from Tu Jia tribe The Romping Golden
Pheasants
Arr. by Tian Longxin/ Li Zhenqui
Toshimitu Tanaka Persona
---- Intermission ----
Aurél Holló José-beFORe JOHN5
Chien-Hui Hung Knights of the Round Table
Mark Ford Head Talk
Chick Corea/ Arr. by Mario Gaetano Spain
Thomas Brown Brazilian Street Dance
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About the Ju Tzong-Ching Percussion Group:
The JU PERCUSSION GROUP (JPG), founded by percussionist Tzong-Ching Ju in January 1986,
is the first percussion ensemble established in Taiwan. It consists of 11 talented
percussionists and one composer in residence. The members possess great skills in playing
Western percussion instruments as well as Chinese gong-drum music. Other forms of Asian
traditional music have an important place in their repertoire, too.
The Ju Percussion Group, under the direction of Tzong-Ching Ju, gives more than 100
performances annually, including concerts, workshops and teachers seminars, reaching
approximately 150,000 audiences each year.
Since its establishment, the troupe has performed in Asia, Europe and the America. Since
1993, the troupe was joined by leading percussion ensembles from the United States, Japan,
Korea, France, Sweden, Hungary, Germany, Canada, Australia and the Netherlands at the
Taipei International Percussion Convention (TIPC). Jus percussionists were invited
to perform at the Percussive Arts Society International Convention (PASIC) in Dallas,
Texas, and Louisville, Kentucky, U.S.A., in November 2000 & 2003. The JPG collaborated
with the world-famous Les Percussions de Strasbourg (France) on a cultural-exchange
project, "Les Douze Lunes du Serpent," premiered in December 2001. Invited by
Budapest Spring Festival, the JPG and the Amadinda Percussion Group, Hungary, jointly
presented the grand percussive work Stoicheia, written by James Wood, in 2002.
At the same year, the JPG participated in the Beijing Music Festival in China and the year
follows, the Group was invited to take part in the Chekhov International Theatre Festival.
The participation in both events received great critical acclaim.
Aside from being featured in the percussion concerts, the JPG has also performed with the
Cloud Gate Dance Theater and the Lanling Theater Workshop, touring nationally and
internationally.
In 1992, the JPG undertook a series of experimentation in music theater, which resulted in
three major multi-media productions -- Fantasia in 1993, Dream of
Chimes in 1994, and See the Music in 2001. These productions
incorporated other art forms and created a new audio and visual ambiance for percussion.
The JPG has released 15 highly acclaimed recordings. Two of them have been honored with
the Golden Tripod Award. They are Keep the Fire Burning for Best Performance
in 1988 and the Mountain's Beat for Best Musical Publication in 1990. A
milestone like the live recording of the 10th anniversary concert in 1996 was released as
a special double-disc set. This recording received the 1997 Golden Melody Award, an
equivalent of the Grammy in Taiwan, for Best Performer. In the same year,
Beat the Drum won the award for Best Composition in the classical music
category. In 2002, The JPG releases its 15th anniversary CD set Shiny Days.
The JPG has actively cultivated the percussion music environment by regularly
commissioning and premiering the compositions written by Taiwans very own composers,
such as Nan-Chang Chien (whose Beat the Drum has become a classic), Hwang-long
Pan, Shui-long Ma, Loong-hsing Wen, Ting-Lien Wu, Gordon S. Chin, Chien-Hui Hung, Wan-Jen
Huang, Chung-Kun Hung and Kuen-Yean Hwang. In addition, the groups arrangements of
numerous traditional Chinese/Taiwanese folk tunes and childrens songs have
contributed to the steadily growing popularity of percussion music in Taiwan.